备注：已完结
类型：恐怖片
主演：Steve Berg Erin Cahill Kyle Davis J
语言：英语
年代：未知
简介：2010年11月11日，在美国某个农场内，农场主霍伊特·米勒（Jon Gries 饰）的儿子科迪（Nash Lucas 饰）迎来了快乐的八岁生日。谁知刚才还在摄像机前玩耍的男孩，一道蓝光过后竟然凭空消失，下落不明。霍伊特一度为此吃上官司，饱受争议。而美国政府也注意到这一离奇事件，因此于2011年拍出一支调查组前往米勒农场。该调查组由社会文化人类学博士山姆·格林（Steven Berg 饰）、洛杉矶记者卡梅隆·莫菲（Devin McGinn 饰）、摄影师布瑞顿·斯隆（Michael Black 饰）、兽医丽莎·摩罗（Erin Cahill 饰）等专业人士组成，他们在米勒的家中安装了全方位无死角的摄像头，时刻捕捉房间内的一举一动。在此期间，动物群体死亡事件、超离奇噪声等诡异现象交替上演，隐藏在农场上空的秘密却难以窥见……
备注：已完结
类型：恐怖片
主演：杰西卡·托维 蒂姆·菲利普斯 皮帕·布莱克 蒂姆·波考克 Andrew
语言：英语
年代：未知
简介：A couple of Australians introduce three American backpackers to the local legend of Lemon Tree Passage where a ghost of a motorcyclist warns young drivers to slow down. After seeing the ghost first hand they uncover a malevolent force that posses the area and threatens to wreak havoc on the final days of their vacation. Isolated and ten thousand miles from home, the tourists find themselves caught in the clutches of an evil force much more heinous than the local myth believed.
备注：已完结
类型：恐怖片
主演：伊莱·罗斯 马修·达达里奥 盖琦·格莱特利 达斯汀·英格拉姆 Loui
语言：英语
年代：未知
简介：在一个阳光明媚的日子里，凯伦（盖琦·格莱特利 Gage Golightly 饰）、保罗（塞缪尔·戴维斯 Samuel Davis 饰）、杰夫（马修·达达里奥 Matthew Daddario 饰）、玛茜（娜蒂安·克劳克 Nadine Crocker 饰）、伯特（达斯汀·英格拉姆 Dustin Ingram 饰）等五位好友来到了一个远离城市喧嚣的山林度假。男男女女尽情享受浪漫时光，脑子有点儿二的伯特则拿着半自动步枪玩耍，却不小心伤到了路人。夜幕降临，他们回到小屋休息。而就在此时，被伯特射伤的男人前来求救。伯特为了隐藏真相谎称该男子被神秘病毒感染，以致于众人下狠手将其拒之门外。 这一事件彻底摧毁了他们的假期，等待几个年轻人的还有更为恐怖的事情……
备注：已完结
类型：恐怖片
主演：Esteban Prol Horacio Fontova Sergio
导演：Daniel de la Vega Pablo Parés
语言：其它
年代：未知
简介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
